Hi, I'm Sam, I love movies. My main interest is science fiction and zombie movies. Pessimistic and survival films I also enjoy a lot.
There is a moment in The Evil Dead where our dandy boy/hero Ash (Bruce Campbell) unintentionally activates an old cinema projector in a cursed and obscure basement. After battling with a demon, the front lens receives a splash of blood. The image projected on the wall magnifies the blood that slowly covers everything, darkening the place.
That clever detail, brief and easily missable, perfectly embodies the indomitable creative spirit that made The Evil Dead the most popular cult film of all time. Driven by the power of the now and the locations, director Sam Raimi decided to make that shot (as almost all of them) on-the-go.
The Evil Dead was a magical project. It started the inner flame of a collective of artists whose movies are already legendary. It was the career launching pad of Sam Raimi and the beginning of the cult figure status of Bruce Campbell. Joel Cohen was the co-editor and, completely inspired by the wild spirit of this crew, decided—together with his brother Ethan—to take control of his own destiny and start producing and directing their own stories. The Cohen Brothers would end up creating films like The Big Lebowski, Fargo, and No Country for Old Men.
The Evil Dead - Movie Trailer
Make no mistake, The Evil Dead was also a film production nightmare. Pressures about money and limited time, constant accidents in the cast & crew, and a remote, hostile location have made those involved still remember those days with a nostalgic feeling of survival. Not for nothing, Sam Raimi has always said that this movie was his "rite of passage."
But interesting enough, these obstacles were the fuel for the creative spirit. The tortuous experience with the creative impulse of some young filmmakers who were beginning to understand the potential of their abilities was the ideal combination in order to magnify this film. You can feel it on the screen.
And it's understandable. The Evil Dead is practically an allegory of that film production nightmare. This is a movie about a group of young people who start an adventure with the best attitude possible and end up struggling against unknown demonic entities to get out alive on the other end. This is basically the description of any first feature, especially with the levels of creativity and ambition that this debut had.
The Evil Dead had a low budget, but that didn't prevent the fact that practically every shot had an extra technical requirement. This is a movie full of amputations, giant rapist trees, cursed books that speak, special dramatic lightning, unique camera movements, humans possessed by demons, and a lot of blood.
Raimi's direction is one of the most inspired and inspiring debuts in film history. In every cut, you feel his obsessive need to innovate and convey the atmosphere of the history. His Dutch angles effectively stress situations. For those frenetic first-person-view shots and the complicated travelings through the forest, Raimi & CIA designed different gadgets and cranes and experimented with various ways of navigating with the camera. For another scene in which two corpses had to decompose/melt, Raimi made use of claymation to be able to come up with an option that was visually effective and economical.
The Evil Dead is a rare and unique case because it shows both the authenticity and fun of the low-budget organic splatstick together with artistic sensitivity and great technical creativity.
Be sure to check out our ranking of the Evil Dead movies.
Title: The Evil Dead
Release Year: 1881
Director(s): Sam Raimi
Actors: Bruce Campbell, Ellen Sandweiss, Betsy Baker a.o.
© 2018 Sam Shepards