Should I Watch..? Licence to Kill
What's the big deal?
Licence To Kill is an action thriller film released in 1989 and is the sixteenth entry in the James Bond series. It was the first film to not be based on an Ian Fleming novel and sees many key people leave the series for the last time, not least Timothy Dalton who plays 007 for the second and last time. It also marks the temporary suspension of the series which had regularly produced movies every couple of years since Dr No (1) in 1962. Numerous personnel changes both behind and in front of the camera as well as legal challenges as to the ownership of the series meant that the next film - GoldenEye (2) - would not be released until 1995 and have Pierce Brosnan playing 007 instead of Dalton. Licence To Kill performed well enough at the box office, although it did face heavy competition from the likes of Batman (3), Indiana Jones And The Last Crusade (4) and Lethal Weapon 2 (5).
What's it about?
Shortly after the marriage of DEA agent Felix Leiter to his bride Della, a drugs baron named Franz Sanchez ambushes the Leiters seeking revenge for being captured by Leiter in the opening sequence. Della is murdered and Leiter is fed to sharks, although he barely survives. Bond seeks out Sanchez himself as the DEA appear powerless to stop Sanchez and this irks his superiors at MI6 who suspend Bond and revoke his licence to kill.
Regardless, Bond pursues Sanchez to Mexico where he is preparing for his latest shipment to go out to the US. Alone and aided only by CIA informant Pam Bouvier who has been chasing Sanchez herself, Bond must use all his skills to get to Sanchez and stop his operation. But at the heart of it all is Bond's desire for vengeance at all costs, despite MI6 pursuing him as well...
Benicio Del Toro
Michael G. Wilson & Richard Maibaum *
Release Date (UK)
4th August, 1989
What's to like?
The Living Daylights (6) was a proper old-school Bond film but the story was almost completely incomprehensible. But in Licence To Kill, the story really should come as an optional extra - the film is a straight-up pursuit of Sanchez with only cursory exposition to explain the change in locations. It gives Dalton a chance to flex his action movie muscles and he's actually better than you'd think. The film is a dark, non-stop barrage of gun fights, explosions, car chases and murder - Die Hard (7) in a tuxedo, if you will.
Once again, the big action scenes are the big draw here including a stunning shoot-out/chase involving oil tankers and a low-flying plane. It doesn't match the giddying fight on the back of a cargo plane from Dalton's first Bond outing but it's still very entertaining - noisy, brutal but still with the series' trademark sense of fun like when Bond rolls his rig onto two wheels to avoid a rocket from a bazooka. I also liked the Mexican scenery in which this carnage is set, giving the film the feel of a very silly Western movie.
- At the age of 21 at the time of shooting, Benicio Del Toro became the youngest actor ever to play a Bond villain - a record he still holds.
- The last Bond film to feature Dalton, Brown, Caroline Bliss (as Moneypenny), screenwriter Richard Maibaum, title designer Maurice Binder, editor John Grover, director John Glen, cinematographer Alec Mills and producer Albert "Cubby" Broccoli although he would act as consulting producer on GoldenEye.
- Legendary Vegas performer Wayne Newton appears as Sanchez's middleman who acts as a TV evangelist. This character was a dig at televangelist Jim Bakker who had been exposed in the 1980's as a serial philanderer. It also fulfil's Newton's ambition of appearing in a Bond movie.
What's not to like?
Bond was never about just action, though. He was cool and quick-witted, calculating and ruthless. Here, he is a one-dimensional bullet-proof action stereotype - Dalton isn't given any help in trying to make his mark on the role of 007 with a script that needed much more work. You get about halfway through before you realise that you've lost track of what's going on and once that happens, you just sit back and watch the stunt team do their stuff. Action is nothing without context and no matter how good it is, if you're not invested in it then it's merely a distraction.
And that's the film in a nutshell - it is what it is, blowing up the screen in a pyrotechnic nightmare but leaving absolutely no impression on the viewer at all. It feels, weirdly, like Die Hard 2 (8) in that it's full of exciting scenes and gripping action sequences but there's not much else to the film - some plot would have made a world of difference. Dalton simply doesn't feel like Bond in this film, mainly due to the fact that he's no longer a spy in Licence To Kill. He's like Liam Neeson in Taken (9), an angry man with a unique set of skills. You can't ever imagine this Bond joking around with Q or even being that much of a ladies' man.
Should I watch it?
Action fans will have to wait for their pay-off but otherwise, Licence To Kill is as good a time as any to put the series on hiatus for some time. It's clunky, poorly written and lacking any of the spirit that illuminated the early Connery-era films. Bond had become so stagnant that it couldn't even be a decent action film, let alone one with any humour, charm or spying in it...
Great For: looking for another actor to be 007, Mexican tourism board, patient action fans
Not So Great For: Bond fans, younger viewers
What else should I watch?
The series would soon be thrown into turmoil with a number of people leaving the franchise for the last time (including Dalton) as well as legal wrangling over control of the series. But they would bounce back in style - GoldenEye was the first post-Cold War Bond and the movie reflects this well plus it has Pierce Brosnan's assured debut as Bond and Sean Bean doing what he does best. Long-time Bond fans know full well that the best Bond film of all is Goldfinger (10) so that's the one I'd recommend.
If you're looking for an all-out action movie then you'd be best to stick to the usual suspects - Arnie, Sly, Van Damme, etc. Predator (11) is an ultra-macho and tense jungle-based thriller with an invisible alien thrown into the mix or there's always First Blood (12) or any of its more bullet-ridden sequels. Of course, you can have all your favourite musclemen in one place these days - the Expendables (13) series offers audiences all of the action with none of the flim-flam. Or consequence.